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Joe Jackson is a journalist, interviewer, author and IMRO-Award nominated radio presenter/producer. He has interviewed roughly 1,400 people in the world of the arts, politics, and entertainment for all major media outlets in Ireland, including RTE Radio 1, The Sunday Independent, The Irish Times, and Hot Press. His articles have been published globally in magazines such as Vox, Rolling Stone, and Snoozer. His radio shows include The Years Go Pop, 26 one-hour documentaries a 26 on the history of popular culture, People Get Ready, 52 one-hour documentaries on the greatest music acts of the 20th century, and Under The Influence, which was nominated for a 'Best Music series' award. In 2018, his documentary about Elvis Presley, Conversations about the King, was nominated for an IMRO Award in the 'Best Music Documentary' category.
Episodes

Thursday Aug 06, 2020
Thursday Aug 06, 2020
Below is the description I used for Part One of this Two-part interview. It applies equally to the second part, although the subject matter moves from RTE to Charles Haughey and Terry Keane, Chris De Burgh's sex life, Irish politics, Dermot's roots, and his core drive, as a comedian and his hopes if finally being financially secure at fifty. Oh yeah, he also talks, not entirely seriously, or maybe totally seriously about the first time he masturbated and how priests and bishops do the same thing. That was Dermot Morgan, OK. R.I.P.
'This interview with the man-who-would-soon-be-Father-Ted, Dermot Morgan, took place in 1994 only weeks before he went to the UK to start the latter TV series. 75% of this, at times explosively controversial material, has never been in the public domain, the reasons for which will be apparent as you listen. In the podcast, perhaps for the first time Dermot, understandably enraged at points, tells his version of how and why his successful radio shows, such as Scrap Saturday, were "sidelined" by RTE, perhaps as a result of political pressure, and why he was forced to go to the UK to make Father Ted. It is a no-holds-barred interview, exactly as it happened, with colorful language and merely minor fades at four points, which I made purely for legal reasons, and some of which Dermot suggested in 1994. The full typescript of the print interview is available at joejacksoninterviewer.com'
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